Julia Bryan-Wilson 將為 2024–25 年於聖保羅藝術博物館舉行的展覽 《Queer Histories》 提供策展概覽，並把該展置於更廣泛有關酷兒／跨性別再現、空間、宗教、抽象與檔案等議題的討論脈絡之中。透過這樣的分析，她提出如何在空間中呈現政治論述的問題。她亦指出，藝術史本身一直是酷兒／跨性別藝術家在探索另類文化銘刻方式時的重要資源。

Speaker: Julia Bryan-Wilson teaches contemporary art and gender studies at Columbia University. She is the award-winning author of several books, including Fray: Art and Textile Politics (2017, winner of the ASAP Book Prize, the Frank Jewett Mather Award, and the Robert Motherwell Book Award) and Louise Nevelson’s Sculpture: Drag, Color, Join, Face (2023).  Her first book Art Workers: Radical Practice in the Vietnam War Era was translated into Korean and Japanese, and her co-authored book Art in the Making has been translated into Korean. As Curator-at-Large at the Museu de Arte de São Paulo, she co-curated several exhibitions, including Queer Histories (with Adriano Pedrosa and André Mesquita, 2024-25). In November 2025 she opened two shows—GUTSY: On Feminist Infrastructures (at MSN Warsaw) and Lotty Rosenfeld: Disobedient Spaces (at the Wallach Art Gallery, organized with Natalia Brizuela). Her writing has appeared in many venues, including Art Bulletin, Artforum, Art Journal, Oxford Art Journal, and Journal of Modern Craft, and she has authored texts on artists such as Pacita Abad, Lee Bul, Theresa Hak Kyung Cha, Yoko Ono, and Yinka Shonibare.  In 2024 she served as President of the International Jury of the 60th Venice Biennale.